Cyborg Botanies (2025) is a solo show by Samuel Domínguez at Galería Patricia Ready. The exhibition brings together a group of works that explore the relationships between the biological and the artificial, based on research carried out in the Salinas de Huentelauquén Wetland.

Domínguez proposes a speculative ecosystem where the organic and the synthetic intertwine to imagine new forms of coexistence, presenting a body of work that go beyond the idea of permanence and immutability. Through sculptures, two-dimensional works, paintings, and a 4K video projection created in collaboration with Agnete H. Morell featuring real-time water simulations, the artist gives shape to a “cyborg botany”: a series of hybrid organisms that combine volcanic stone, natural pigments, electrical components, and digital processes. In addition, the exhibition includes a sound piece composed by Makoto Sakamoto.


The result is a body of work that offers a reflection on life in the post-natural era, where the boundaries between the living and the manufactured become blurred. Cyborg Botanies invites us to reconsider our relationship with the environment, recognising that technology can also be understood as an evolutionary gesture of nature, an extension of its own processes of transformation.

Project funded by Fondart Nacional 2025.

Curated by Natalia Valencia Arango

Photography by Sebastián Mejía

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